Exploration Experience Model

December 2, 2015December 2, 2015 rasmusnord01Leave a comment

I intend to introduce a different experience model in my D&D campaign.

To support the exploration theme of the campaign and to encourage non-combat solutions and a varied approach to encounters, I will grant experience using a variation from the standard monster awards. Awards for exploring will be the main source of xp, while surviving significant encounters – not defeating enemies – will be the secondary source.

Exploration Awards:

It should be important for the group to go out and explore and discover the world around them. Finding strange new magic, travelling across unknown lands, recovering rare magical items, discovering new places, ancient ruins and cultures and delving into the history, myth and legends of the unknown continent is a significant part of learning and personal growth. Therefore these types of discoveries are awarded with experience according to the XP Threshold by Character Level (DMG pg. 82). The

old-compass-map-9089915 — As my campaign takes place on a – for the characters – completely unknown continent, exploration is a key element.

significance of the discovery determines the difficulty and the character level is the average of the group. It will be a main source of experience for the characters.

The following types of discoveries results in experience awards. It is not a definitive list, but a guideline. It has the slight problem that finding the rarer magical items is easier in the later half of the campaign, which means they will higher experience awards when rare and very rare items are more accessible.

Easy: Discovering a minor unknown location, finding a minor or uncommon magic item, discovering minor historical information or finding one or more low level spells.

Medium: Finding a rare magical item, discovering a significant location, portal or dungeon, meeting important societal figures for the first time, uncovering important historical information, figuring out a plot or plan, finding valuable historical artifacts or medium level spells.

Hard: Encountering a new culture for the first time, discovering a major ruin or location, recovering a very rare or legendary magical item, discovering a nation threatening evil plot, finding a demi-plane or a new safe(ish) path through the Warrens, uncovering a major historical truth, fact or secret and finding high level spells.

Deadly: Being the first to make contact with a new nation or state, discovering a central ruin or location (such as a capital city, legendary dungeon or unknown plane of existence), learning a potentially world altering truth, a paradigm shifting fact or an ancient and dangerous secret or recovering an artifact.

Surviving Encounters:
Whenever the group survives a significant encounter the group is awarded

CoC_55 — Sometimes running like hell should be considered.

experience worth around 25% of the standard approximate value. A series or easy combat encounters could result in an award as well, as the attrition is what makes encounters in D&D very dangerous. This method serves both a purpose for the fiction, the meta-game and for my preparation.
1) In the fiction, I would like the adventurers to not know what level of difficulty opponents that they are facing, and have them use whatever approach they see as optimal to resolve it, and get rewarded for it no matter how that turns out.

2) On a meta-level I would like to avoid the characters charging into every situation simply to earn experience. As when you use the standard system the defeat of the opposition is the only option.

3) On a preparation level, I would like to avoid going through all the calculations to find the encounter difficulty, or to find the monster experience level, when designing or re-working a creature. It is anyways quite inaccurate in my experience when have a large number of player characters.

Is 25% the right amount? Time will tell!

Participation Award:
I will award a medium difficulty award to everyone turning up for a 4 hour gaming session. It will ensure some advancement no matter what happens, and add to the overall speed of advancement, which I think will be somewhat slower using this model.

I intend to see how it goes and adjust accordingly. Any feedback or suggestions are also more than welcome!

Books that Inspired my Campaigns – Part II

November 23, 2015November 22, 2015 rasmusnord01Leave a comment

Song of Ice and Fire

This series made me step out of the traditional mold when it came to world-design. Before I read the first novels of the series, my campaign worlds had been pretty standard “European” or it had been Earthdawn (which as a game itself also inspired me a lot). Westeros was not what I found most inspiring, but the decadent and old lands of the east are very cool with places such as Astapor and Mereen. I made a campaign called the Far Seas, a maritime campaign with a lot of islands, where I put in big Jade pyramids, nomadic Halfling armadas, lost gods, fantastic cities with ancient monuments and strange magical effects. Looking at many published campaigns today, Far Seas isn’t exceptional, but it was a good step for me, and it was so popular that when I moved to another town, a friend of mine ran a campaign in that world. That is a pretty big compliment.

“Aggo was back next. The southwest was barren and burnt, he swore. He had found the ruins of two more cities, smaller than Vaes Tolorro but otherwise the same. One was warded by a ring of skills mounted on iron spears, so he dared not enter, but he had explored the second one as long as he could. He showed Dany an iron bracelet he had found, set with uncut fire opal the size of her thumb.”
– A Song of Ice and Fire

Dark Souls

The fantastic video game Dark Souls is a masterpiece of game design. I’m intensely inspired by the level design. The way the world seamlessly flows together and slowly reveals new secrets and connections has to be experienced. The story of the world, its mythos, and the NPC’s stories and motives are extremely opaque and are only revealed by examining all objects and if certain specific steps are taken in the right order. And in Dark Souls outcomes and decisions are permanent, so if you attacked that NPC or he died in a battle, you will have to start a new game to try a different path. This is an exploration element that I really like as well, and is an approach I’m attempting in my current D&D campaign.

Watch the show ‘Extra Play’ on Youtube play and deconstruct Dark Souls game design.

They way that you avatar’s experience mirrors your experience as a player is masterful design. The setup of many of the monster encounters is also very interesting and can easily be used in D&D.

Dark Souls II has less interesting level design (it is still great), but it is also visually very inspiring for my current campaign.

When it comes to video role-playing games, it is – in my experience – when it comes to mechanics and exploration the closest you can come to a pen & paper game. The reason is that you can approach enemies and problems in many ways, which is close to your experience in a pen & paper game.

For my current D&D campaign I’ve not fully taken the plunge into making my own version of a coherent world where the campaign basically all takes within a dungeon. I’ve more tried to let myself be inspired by the design philosophy behind it. If I were to go all the way, D&D would not necessarily be a great system, as many of the spells would need to be modified. But any system would probably need to be modified, in order for the system to emphasize the way the world and campaign should work.

Playing at the World
This book is about the history of D&D and the games that led to this revolution. It led me deeper into the ideas in the original D&D and made me want to go back to basics – although without going back to some of the OD&D versions of the game, as I have a preference for the smooth mechanics of 5^th edition. It is a massive book (600+ pages), and you will learn something you didn’t know.

One thing that I’ve taken directly to heart in both my home brew campaign and in our Temple of Elemental Evil game is that D&D originally had three core aspects: combat, exploration and logistics. Exploration is of course a cornerstone of my new homebrew. The last part I also find very interesting. I think it is quite apparent that among my players there are different preferences for these elements. Logistics is about how much ammunition to bring, what spells to select and dividing treasure. I have previously skipped this somewhat, but I will try to have it as a more intentional element, for example by using the construction rules from Pathfinder Ultimate Campaign.

It led me to buy many vintage modules online, and there are some great ideas in them as well.

“Into the dramatic structure of Dungeons & Dragons, the mode of logistics injects some much needed banality: after the suspense of exploring and the adrenaline of bloodshed, the chore of logistics, even when they border on tedium, serve as an important counterweight to adventures.” (In Playing at the World, by Jon Peterson)

The Scramble for Africa

Africa is a vast and extremely varied continent, and both its nature and

history is an inspiration to me. Recently I read this history of how the European Powers explored and carved up between them the many independent kingdoms and more or less inhabited wilderness of Africa. The exploration element is as always interesting to me – the hardship in traversing deep jungle and the couple of years that Stanley spent traversing the continent East to West. The brutality of the conflicts and of the rule of some of the African kings can also be used in D&D, as can the power play between the nations trying to grab as much land as possible.

“Stanley looked at the majestic brown river flowing past the tall square houses and the baobab trees. Its calmness seemed to him a kind of hypocrisy. It had robbed him of so many of his best men, including Frank Pocock, the last survivor of his three white companions. Even now Stanley felt the hollowness of his triumph. He had sailed from Zanzibar with more than 250 men, women and children. Only 108 would now return safely to their homes.”
The Scramble for Africa, Stanley arrives at the west coast of Africa

The Italian Renaissance

Italy, before it became a nation and was a collection of city states, is so full of intrigue, war and conflict that period has near limitless potential for inspiration for almost any role-playing game – but for Warhammer Fantasy Role-play in particular. As there is so much surviving art and written works from the region and period, there is a lot of potential reading to do. I just needed an overview before a visit to Florence, and I picked up The Italian Renaissance. It deals with both a few central topics such as Women and Princes and the State, and has a chapter on each of the major city-states, and for someone growing up in a modern democracy; I find it helpful to be reminded of the attitudes, government structures and social structures of other people and other times. It can add some memorable tweaks to your NPCs and campaign setting.

Monument to the most feared mercenary genral in Italy John Hawkwood (Fading Suns, anyone?), who fought for Florence

“On this knowledge the Council acted swiftly and silently, for no public trials enlivened the Venetian scene, and there were no appeals. Once found guilty, the prisoner was sometimes quickly and efficiently strangled in the dungeons or thrown into a part of the lagoon reserved for the purpose, where no fishing was allowed; or hanged by one leg from the pillars of the Doge’s Palace; or quartered and distributed about the city; or buried upside down in the Pazetta, legs protruding; or beheaded – as a public spectacle – between the great pillars on which stand Saint Theodore, with his crocodile and the winged lion of Saint Mark.”
– The Italian Renaissance, on how its Council of Ten kept power through its intelligence system.

Dresden Files

The Dresden Files didn’t make it to the top-10 list, but I include it as an honourable mention, as I think it can teach you a thing or two when it comes to upping the stakes and making the stories more action packed. The Dresden Files demonstrates that you can always kick it up a notch!

I wished for a TPK…

September 23, 2015September 23, 2015 rasmusnord011 Comment

I don’t normally wish for it, or plan for it, but a TPK would just have been great for the story. Let me try and explain why…

We were playing our sixth session of Temple of Elemental Evil, this time with only 4 players with 3rd level characters and the paladin was the only healer. At first they accidentally ventured down a sloped hallway to level 2, and saw the chained hydra and chained owl bear. They engaged the owl bear, and killed the troll keeper that came after with some trouble. They explored a bit, and established that there was at least one more troll in the area. Wisely, they went back to level 1, and found their way into one of the two ghoul lairs. This is where things got really interesting.

Ghouls, and more ghouls

It was one of the many encounters in the temple that quickly turns into several waves of enemies. In this case, one of the ghouls from the first room will run into the adjoining rooms and get help from its buddies. Furthermore, two cowardly ghasts will be watching from a third room, and join the combat if they are winning, but I decided to add the mechanic that if more than half of the four ghouls were alive after a couple of rounds the two ghasts would flee.

Fortunately for the characters they killed the third ghoul by the end of round two, making the two ghasts flee. However, they flee through the room of the two boss ghasts, and these two will not back down from a fight (as described in the module).

So severely depleted, with the barbarian at 1 hp, the monk had been down once already and with no more healing power or potions, they had to face two ghasts with extra hit points. It was clear it could turn ugly quickly. With the damage output of the ghasts, any of the players would go down with one hit, which would reduce their damage output, and further increasing the odds of more players going down. My first internal reaction was ‘crap! what do I do if I kill them?’ But then it dawned on me that it would be great if I wiped them out.
Because, as you may have read here previously, I have a pool of around 12-14 players for this campaign, and I play with the group that shows up that evening (max 7 players). The area around the temple attracts a lot of adventurers, so it works out really well. It is very dynamic, and we get to see different group combos. Each session ends with the party returning to the surface. The rest of the adventurers stay at their base camp or in Hommlett, resting and planning their next raid on the dungeon.

Great flavor and motivation
Had they TPK’ed, I would have sworn the players to silence, and their party would have been yet another group of adventurers disappearing without much trace in the dangerous catacombs beneath the Temple of Elemental Evil.

It would have created a fantastic motivation for the other players (and the TPK’ed players with new characters) to go and find out what happened, and perhaps find surviving captives, or avenge them, if they weren’t (I would probably have rolled randomly who survived). I could have them as sacrifices in the deeper temples, I could have them charmed or dominated, they could be torture victims of the cult leaders. And their magic loot would turn up in new places, adding a new dimension of investigation and interrogation, such as: ‘Where did you get this cloak? This was worn by our friend Ishmael the last time we saw him…?!’ The extra sense of danger in exploring the dungeons, when the players know a TPK can happen, would also add to the tension of the game.

As it turned out, I rolled very poorly for the two ghasts, hitting the players zero times, and the players managed to win the day with very high damage output. Great for them…

But I think it is fair to say that I don’t fear having a TPK in the future. I may even wish for it, a little bit.

Books that inspired my campaigns (part 1)

September 19, 2015September 19, 2015 rasmusnord01Leave a comment

My friend, and sometimes Game Master, Johannes, described some of the books that inspire him as a GM on his blog Sort Forsyning top 13 books (it’s in Danish). That in turn inspired me to share some of the books that I find are great inspiration for role-playing games. I think it will be a (current) top ten. I hope you get inspired too!

Malazan Book of the Fallen

These 10 books have so many cool ideas that it is mind boggling. It shows in the stories that the author has a background in anthropology and archaeology, as cultures and lands have layers upon layers of history, with different technology levels and magic. The world building was very interesting to me. It is very far from the traditional Gary Gygax medieval knights world.

I love them, but the books aren’t equally great, and were hard to read as they came out, as the amount of people and plot lines you have to keep track of is staggering. That said, I’ve lifted a number of ideas from these books straight into my current D&D campaign. I also wanted to replicate the magic system, where each “school of magic” (sort of) is drawn from a particular plane. But it was too much work for D&D spells and planes are so heavily integrated into the rules.

It is also dark, gritty and funny. The second book, Dead House Gates, and its story of the Chain of Dogs, remains the most riveting and gut wrenching fantasy story I’ve read.

Duiker was well past astonishment at anything he saw. Like the Tithansi tribesmen he’d occasionally exchanged words with, he’d begun to believe that Coltaine was something other than human, that he had carved his soldiers into unyielding avatars of the impossible. Yet for all that, there was no hope of victory.
(Deadhouse Gates)

Sharpe
Bernard Cornwell has written 21 novels with the hard as nails British soldier Sharpe, who has his career during the Napoleonic Wars – mainly in the Peninsular Wars under Wellington. They are great adventures, full of good plot ideas, and they were the main inspiration for my Warhammer campaign. Cornwell’s insight, that to make the story interesting, he had to make enemies and obstacles on Sharpe’s own side just as big a feature as the enemy, is something I used. I also drew a lot of inspiration for the military campaign side of things, with the size of the army train, the unwieldiness of the artillery and the chaos and confusion of battle that Cornwell describes so well. Being part of a military organization is obviously also a powerful motivator for going on ‘missions’. Cornwell writes great action, and there are a lot of skirmish battles with company sized units, that I also drew upon for my campaign.

“Powder smoke spurted from the orchard, showing that Dragoons [no, not dragons!] barred that escape, yet it was his only hope. He shouted up the ladder. ‘Come down!’ He turned to Harper. ‘We’ll take the Spaniards with us. We are breaking southwards.
‘They’ll catch us.’
‘Better that than dying like rats in a pit. Fix swords!’
(Sharpe’s Rifles)

Lord of the Rings (and Silmarillion)
It needs no introduction. For years it was one of the few fantasy novels available to me, because we had it at home in Danish. When I became better at English as a teenager, they whole fantasy field opened up, and I’m still trying to read through all the Fantasy Masterworks. But Tolkien will always be there, with the magic, orcs and journeys, and I still love ancient dwarf keeps full of secrets, treasure and ancient evil (and so does many of my players!). Don’t think I’ve ever made a fantasy campaign without a lost dwarf keep.

“The orcs have often plundered Moria; there is nothing left in the upper halls. And since the dwarves fled, no one dares seek the shafts and treasuries down in the deep places: they are drowned in water – or in a shadow of fear.
(Gandalf, in the Fellowship of the Ring)

The Fall of the Roman Empire – A New History
This book is fantastic. It really inspires my world-building in many ways. Fundamentally, it provides insight into how that empire was ruled, from a variety of perspectives, including logistically and politically, and how half of it ultimately collapsed. Some of the key points I have taken from it are: rampant corruption, civil war every 20 years, high level of autonomy because of the limits of the administrative system, and the size of armies that could disrupt it -around 10,000 displaced tribal warriors settled in the Balkans created a domino effect that contributed heavily to the fall of the Empire.

Then there are some practical details around travelling, where I think in most fantasy games the logistics and time involved is underestimated. Theophanes had to travel from Egypt to Antioch (in Turkey). The trip was on great roman public roads, which made it very quick – he travelled 40 kilometres (around 25 miles) per day. With him, he brought a group of slaves, and soldiers for parts of the trip. This meant that the journey lasted almost a month. For his slaves he bought 160 litres of wine for the return journey, and bought two bottles for the same price for himself (obviously a better vintage). As he hardly knew anyone along the way, he also had to bring dozens of valuable gifts for other important Romans that he met.

“Running the Roman Empire with communications then available was akin to running, in the modern day, an entity somewhere between five and ten times the size of the European Union.”
(The Fall of the Roman Empire – A New History)

Undaunted Courage

This is the story of the legendary Meriwether Lewis who, together with William Clark, Sacagaewea and their party, was the first to cross America over land from the Atlantic to the Pacific. It is an adventure of the highest order, and really gave me a lot of inspiration for exploration of the untamed wilderness, and you see how resourceful humans can be. It is a direct inspiration for my current D&D campaign, where the characters help settle a new an unknown land.

“Together, under the leadership of the captains, they had become family. They could recognize one another at night by a cough, or a gesture; they knew one another’s skills, and weaknesses, and habits, and background: who liked salt, who preferred liver; who shot true, got the cooking fire going quickest; where they came from, what their parents were like, what dreams they had…They would triumph, or die, as one.”
(Undaunted Courage)

In the next part I will be touching upon The Song of Ice and Fire, a book about Africa and a video game, among others.

My Dungeons and Dragons Homebrew 1

September 6, 2015September 6, 2015 rasmusnord012 Comments

I want to provide context for my posts on rules and campaign setting, and I’m writing brief overviews of each session for my players anyway, so I’ve decided to post the chronicles of my campaign on this blog. With my Warhammer campaign coming to a close at around 90 sessions, where I have a few paragraphs on each session, I can see it is also a pretty cool thing to have when looking back at all the great fun we had.

Campaign setup

My campaign is fundamentally an exploration campaign. The realms of the East have been warring for 30 years against a dark empire named the Hrran Hegemony. The war is in a deadlock and the ‘good’ realms need resources, allies or some kind of joker to break the deadlock. Fortunately, the half-elves of the Isles of Finrod have found a new continent across the ocean. The largest human kingdom therefore sets up an outpost and has sent settlers there to establish a new realm, and to explore the lands for riches, magic and potential allies. The characters are among the second group of settlers sent there.

Hoh Rainforest, Olympic National Park, Washington — The land where they settle is covered in deep forest. This is from a Washington state rain forest.

The Group

All members of the adventuring group come from the realms in the East, which have a geography and technology roughly equal to early medieval Europe. They decided at the beginning to form a accredited Adventuring Company, which provides some advantages, but cost them resources.

The dwarf bard use a bagpipe as his instrument. Fun, and great for attracting random encounters!

After 3 sessions the line-up is:

Sir Jarn Ashford, Human paladin 1/ranger 2

Arak, half-orc fighter 2/war cleric 1

Welk Del’mantanrese, human abjurer 3

Weylyn Cullain, half-elf moon druid 3

Horziver Xalybyr, gnome arcane trickster 3

Abbott, human warlock 3

Korrick the Lorekeeper, dwarf fighter 1/bard 1

The first 3 Sessions:

Session 1:

The members of the adventuring group has various ties to each other, both are mostly not close friends. They embark on their journey at the Isles of Finrod, and sail across the ocean on one of three vessels (of course). After a few weeks they make a stop at Hope’s Pinnacle, which is a lone island with a huge abandoned castle built by giants, where a garrison and port has been built by the good nations. They stay a couple of days before continuing their journey.

Close to land the ships are thrown into a storm and attacked by Kuo-Toa. The party fights them off, but after the storm dies down one of the three ships are missing.

Meta: They drew random questions I had created, which they answered to create more backstory for their characters.

christopher-columbus-ships — The ships of my campaign are similar to the far left ship, however sleeker, with more of a norse longboat element, and more elaborate elven carvings – and no cross on the sails.

Session 2

They arrive at the small settlement, which lies in a cove, next to a river, surrounded by a vast forest, and with a couple of gleaming white towers reaching above the canopy in the distance. They are greeted warmly, and introduced to some of the people living there, including the governor Erin de Vrin. But with a missing ship, the mood has a somber undertone. Next morning, the two adventuring parties available to the settlement are sent out to find the missing ship. The characters are sent north, while their ‘rivals’ are sent south.

The group treks through the forest and at night are assaulted by a Displacer Beast, which they manage to slay. The following day they come upon a group of goblins, throwing stones and taunting a wounded elf captured in one of their pit traps. They drive off the goblins and rescue the elf. The elf has tattooed camouflage on his skin and he almost only use sign language.

Session 3:

With some difficulty the druid Weylyn begins to communicate in the elven tongue with the tattooed barbarian, and recognizes that he speaks some kind of dialect of the elven language. They learn that a big winged beast roams to the north, and that he finds it very important to stay hidden. The next morning the elf has sneaked out of the camp.

Using the wizard’s seagull familiar, they do spot the winged creature, which turns out to be a wyvern, and see its nest in a ruined tower. They decide to explore the tower while the wyvern is hunting at dusk. At the top of the tower in the nest of flotsam and bones, they find a couple of scrolls and a kuo-toa body. Welk and Horziver figure out how to destabilize the nest, and make a plan for attacking the wyvern when it lands, and hopefully drop to the bottom of the ruined tower. The plan succeeds and the party manages to overcome the wyvern without getting hit.

At night, the carrion crawler that had hidden in the tower came out to feast on the wyvern. It was discovered, and the group killed it.

Trekking further north they finally come upon a cove, where the lost ship is stuck on a reef. The cliffsides have many cave entrances, and they begin to explore. They find a body of a sailor, after chasing away two giant crabs, and in one of the caves they are attacked by many crabs, but rescue an exhausted guard from the ship, who hid in the cave.

They bring her back to their camp, to give her rest and hear her story. At night kuo-toa emerges at high tide from one of caves and sacrifice a human to some kind of snake creature that emerges from the sea.

Meta and Mechanics note:

Fighting the wyvern, the damage output of 6 players was very high, with above average rolls, and it was a short

The Wyvern monster manual illustration from 3rd edition of D&D by the way.

encounter. But the danger of getting hit by the poison stinger of the wyvern made it a tense encounter. It certainly displays the weakness in D&D 5^th if you have large groups against single enemies. However, in this case, a hit by the wyvern on almost anyone of the 2^nd level characters would either drop or kill them. I think it was fun, and when the PC’s dare something dangerous, the player’s feel great when they succeed.

Weapon materials in D&D 5ed

August 22, 2015August 22, 2015 rasmusnord01Leave a comment

I am trying to avoid adding complexity and sub-systems to my game, but for my campaign world to be thematically coherent I did decide to make a system for weapon materials, so there is a difference between bronze and steel. As the group is in a remote land, as part of the first settlement in this “undiscovered” realm, I try to enhance the need to be self-sufficient, add incentive to explore and find new things, and that when exploring you need to be selective in what you bring with you on your travels (I know, that consideration disappears when they get a big bag of holding…)

6-krigsscene-farve-stor (1) — Imagined scene from the early Iron Age, done in connection with the bog body of the Danish Tollund Man. Image by Niels Bach. Read more at: http://www.tollundman.dk

I’ve tried not to make it too punitive to the characters, but it should push them to carry alternate weapons, rest after encounters and take down-time to craft their own items and so on.

As magic weapons and armour slowly will become available, I don’t foresee this to still be a very relevant rule-set after level 10. But as mentioned, the rules are meant to create mood and atmosphere.

Weapon quality and material
As not all cultures have the same level of technology within manufacturing of arms and armour, different enemies will have weapons and armours made from various materials with various properties, strengths and weaknesses. As to not skew the combat rules overly, most of the materials have their most significant impact on weight, price and production time, which can be important far from civilization.

Damaging and breaking weapons and armour
Whenever a combatant rolls a natural 1 in combat with a weapon, not made from steel, he has to roll a DC 10 DEX ability check to avoid the weapon breaking. If he succeeds using the weapon still confers disadvantage until it has been serviced during a short rest.

Whenever a combatant is hit with a natural 20, his non-steel armour gets damaged and he loses 1 point of AC, until he spends a short rest mending the damage.

Steel
Steel can in the old world (almost) only be crafted by dwarves, who knows its secrets and can create the temperatures necessary to forge it. Their arms and armours are highly prized, also among its enemies, and can easily fetch several times the price of regular iron forged weapons.

Steel weapons don’t need to roll for damage or breakage, unless fighting against a foe with magical weapons or armour.
Medium and heavy steel armour weighs 10% less than iron armour, as it needs less material for the same level of protection.

Rapiers are a new type of weapon used by the wealthy in the City-States, and it can only be made from steel.
Steel weapons and armor costs around 5 times the listed price in the Player’s Handbook.

Half-Plate and Full Plate are always made from steel and cost the price listed in the PHB.

Bronze spear heads

Iron
Iron weapons are the default weapons in the Player’s Handbook. They comply with the breaking and damaging rules above.
Half-Plate and Full plates cannot be made from iron.

Copper & Bronze

Both materials are weaker than iron, and when fighting against steel weapons they automatically suffer the effects of damage on a roll of a natural 1 or natural 20 (for armor). If fighting against iron weapons the normal rules for breaking apply.

Stone & bone
Stone weapons suffer a -1 damage penalty against iron and steel armour. However, some cultures have processes that make the stone hard as iron or steel. The weight is still greater than comparable iron or steel weapons.

Bone breast plate: Made from mighty beasts, these breastplates function as regular breastplates, due to the high level of craftsmanship and density of the bone used. They would be highly prized in their culture.

Scale Armour: scale made from regular scales of beasts or from thick bone chips work as a hide armour, but scales or bones from truly dangerous beasts or magically treated can work as a scale mail or splint mail, depending on the construction. The scales of these beasts are equivalent of iron, but can be broken by steel.

Magical weapons:
Magical weapons or armour cannot be broken through regular combat. Special significant events have to occur to endanger them, such as Elder Dragon fire, volcanos and epic level magic.

Temple of Elemental Evil is moving forward

July 18, 2015September 23, 2015 rasmusnord011 Comment

Our casual campaign where we play Temple of Elemental Evil is moving forward faster, and with more enthusiasm, than I had anticipated. We’ve played a total of five sessions by now, and we’ve had many players joining for one or more sessions. My strategy of keeping the group of players relatively fluid seems to be working. 12 different players have participated with a total of 14 different characters (two died at the final encounter of the Moathouse). The fact that they are a bit on the low level side matters less, when we have 6 or 7 players participating in each session. They are now mostly level 3 with a couple still level 2. There is also the communal meta game element I had hoped, with maps be hommlet ing shared in the Facebook group we created and a big loot list kept up to date and shared. I hope the long term consequence of having rotating players will be that no-one tires of the dungeon style game. As the conversion notes from Brian C. Rideout assumes 4 players, I usually use the number of monsters more or less as written in the original adventure, or wing it, if it is too crazy (e.g. 144 giant rats! – how would you play that Gary G.??! and who would bother??). As they are also more people who needs to share the loot and magic items, that is also kept on the modest side, which I like, and which I think works better for 5ed, as the +1 modifier has a BIG impact at the lower levels.

The Temple Design I really enjoy the design of the temple. With the many roads to the same room or encounter, you don’t know as a DM what will happen, which is cool, and I simply let things happen, depending on their decisions. A fault is though, so far at least, there could be more history/information concerning the NPCs included in the design. There are also some quite odd design curiosities, which I both find charming and annoying. In Hommlett for example some important NPCs are named. Others are not. Some have a few physical characteristics described, but most have none. And the head-line for each location are things like: Large Building with a Sign (instead of inn) or Open Shed and House behind (instead of Smith) and so on, which makes the browsing experience really bad. What is cool though is the amount of detail in the room descriptions, which makes it hard for the players to guess what is important and what is not. They really have to think and check it out, and they do miss things from time to time.

Converting Temple of Elemental Evil to 5th Edition

April 19, 2015September 23, 2015 rasmusnord01Leave a comment

I’m using Brian C. Rideout’s conversion notes to 5th Edition, which can be found here:

http://newworldscoaching.ca/downloadable/toee.pdf
It is a very well done conversion. There are a few minor errors (for example on xp for monsters), and it has to be adjusted to fit with the group size to some extent. My first session had a massive group of 7 players, so I to add a few monsters to most of the encounters.
I also made individual names and equipment for the brigands (bandit NPCs from the MM), as it was likely that one or more would be captured and interrogated.

That leads me to the mention: I find it puzzling, that the original module has names for some NPCs, but not for all of them? Why would one give the name for all the village councilors, except the village elder? Why give a name for a main boss, but not for the brigand leader?

Bringing the world to life:

Mr. Rideout also added some encounters and events that add flavor to the settlements of the campaign. These small events and encounters are very valuable, easy to run and can easily be scaled. It is a great addition to the conversion material.

I used the first, when one of the characters (1st level Cleric of Olidammara) wandered alone around Hommlett, and ended up rescuing a kid from a Giant Tick, which had set upon his dog. It gave him a nice solo xp-bonus, and gave them something to talk about and the cleric a boost to his reputation in town.

Change in treasure amount
I differ somewhat on the treasure level of the conversion. The original module perhaps suffers from a lack of variety and higher power level than Dungeons & Dragons 5th edition, as Rideout also notes (there are several rings of invisibility among the NPCs, which is high powered).

But even with Rideout’s edits, I estimate that the level is still a bit high, when I look at the campaign we normally play. For example – the main boss in the Moathouse has 3 permanent items in the original version. One is a magical plate armour. In my view, the plate armour, which costs 1,500 gold pieces, and is quite hard to obtain in Hommlett, is a treasure in itself, and does not need to be magical to be seen as a very nice treasure. I will keep a permanent item, and add a scroll and a potion.

That said, as the party composition changes, depending on who attends from my large pool of players, I can be a little more generous, as the items will be spread across a much larger than normal amount of players.

We will be playing again next weekend, with some changes in party composition and size. I look forward to seeing how it changes the group’s approach to the adventure.

Steading of the Hill Giant Chief

March 27, 2015September 12, 2015 rasmusnord01Leave a comment

As a one afternoon/evening adventure, we played Steading of the Hill Giant Chief. It was converted from the AD&D module into 5th edition.

There were 5 characters – all of them 12th level. There was a Dwarf Fighter with plenty of feats and maneuvers, a Dwarf Fighter/Barbarian, a Tiefling Warlock/Sorcerer, a Cleric of Light (damage dealing & suppoer) and a Cleric of Life (Healing). I gave them two uncommon items each, like +1 shield, wand of detect magic and cloak of protection +1.

We had great fun with the adventure. The group chose a wise path through the steading, found the secret stair down to the dungeon and located the treasure, explored parts of the dungeon, and fought the keeper and his pets as well as the stone giants and went back to the main hall to fight the chief and his giants as the final encounter of the evening.

Conversion notes:
Fundamentally the conversion worked well. It is easy to convert the two systems between each other. I did however make a number of changes to make it more fun.

First of all, the original module is very much made up of creatures which can only fundamental make a regular melee or ranged attack. To make it more interesting and varied I inserted an Ogre magi with a couple of bodyguards, and I change the manticores guarding the treasure to Chimeras to make it a greater challenge and to add the breath weapons, which required Dex saving throws. I also made the wife of the chief into a 9th level Cleric.

I also pulled a few giants from the main hall to the dire wolves and courtyard area.
Instead of just having two fire giants, I also added a young red dragon to the mix. The encounter was never played, but I think it would work well.

The keeper I gave a higher AC with armour and made his pets into Giant Apes.

I also changed the troglodytes to trolls, but the group did not go near them either.

The map of the steading is one of the greatest problems, if you are using miniatures. In D&D 5th hill giants are size huge, and they simply don’t fit the current map. Furthermore, as was mentioned in the original reviews of the module, some of the dungeon areas are way too small to house 30+ escaped orc slaves. As we didn’t use minis I didn’t bother converting the map, but I guess it needs to be at least double size, to fit all the giants in the main hall.

Game Play notes:
The challenge fit quite well against a group that didn’t go leave the steading and get a long rest. We were under some time pressure, so they opted to go full steam ahead. It was clear that the first couple of encounters wouldn’t kill any characters, but they did drain resources. The combat was also quite quick and smooth.
The upper level was a chance to sneak and gain information and kill a couple of groups of monsters.

The bugbears posed no challenge at all – which was fine, as they gave the group a chance to shine. The Keeper, with his giant apes really packed a punch, and I thought it was a fine encounter when the bugbears also came charging and were annihilated with fireballs.

At their challenge rating it was my impression that hill giants work well against a high level party, as a party of level 12 will most often hit CR 5 monsters no matter what, but the giants could really take some damage and deal some back. They only had 15-20 % chance of hitting the fighters, but with two attacks from each, the damage did begin to mount.

The final battle with the chief was fun, albeit a bit chaotic, and some of the players would have liked a proper battle map with minis. I forgot to include the cloud giant and stone giants (it was late), but the outcome was good, as they would have stacked the battle too much in the favour of the giants, due to their higher to hit bonus and damage output. As it were the giants put up a great fight, but had trouble getting to all the characters, which meant they were split up to try and circle the characters. At least one character was down, but the life cleric kept them alive.

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Tag: Dungeons & Dragons